Machines and women give me the most pleasure. Automobiles are the only things men learn about before women do.
Machines and women give me the most pleasure. Automobiles are the only things men learn about before women do.
It bears noting that trumpets, drums, and the piano are inventions that came before the fire. Horns and drums did not get much more complicated after that. The piano developed from dropping rocks on piles of bow and arrows — drums from chasing away snakes and prehistoric bears while we huddled in caves and horns from choking on the insects we were sucking out of hollow twigs. Only the piano stool is a modern contraption.
Interviewer: I ask Dylan about the time he and Bruce Springsteen were invited to a dinner party at Sinatra’s house and whether Bob thought Frank had ever heard his songs.
“Not really,” Dylan says. “I think he knew ‘The Times They Are a-Changin’’ and ‘Blowin’ In the Wind.’ I know he liked ‘Forever Young,’ he told me that. He was funny, we were standing out on his patio at night and he said to me, ‘You and me, pal, we got blue eyes, we’re from up there,’ and he pointed to the stars. ‘These other bums are from down here.’ I remember thinking that he might be right.”
We were not friends, but there was a curiosity between us. I heard Keith Moon say to him, “You know he is never going to forgive you.”
I did, and he made me cry, as he said he would when I first met him.
In Bill’s words,” He told you he was sorry. He did that for you, and you have to allow it to be enough.” Hard for someone like me who has a lifetime of unforgiven frozen people.
In real life, it is never a good idea to believe you know someone. It is barely passably accurate most times to say you understand yourself, let alone another.
No one who got close to the band was a fool. We had all passed the humiliation test, The Who included.
The band never ill-treated strangers, but if you were with them, working from day to day, you had better watch out. You had to remember who you were. And that’s what made it so much fun. It was all so authentic.
A simple exchange of vanity for living so grandly entitled, it took your breath away.
I’m glad I grew up in an era when how much sex you had was more important than what sex you were.
Jim Callaghan, the early morning remains of Keith Moon’s security detail shifted nervously from foot to foot. He was wearing only one shoe.
We both ignored him.
Moon was seated legs crossed in an Admiral’s uniform having tea on a small Victorian table against his suite window that opened to whichever lake was next to Chicago. It was sometime in the late seventies.
The drummer summoned an image of an unshaven Judy Garland during her last catastrophic years.” He was wearing Callaghan’s other shoe.
“Spot of tea, Regis?” He offered, not aware there was not a second cup. “Did you take in some theater before you rushed here to help me?” he added.
“I wanted to pick up more money,” I dropped, working to deflect him and to get to his point. “Increased money” worked on him, I knew from practice.
He regarded me as a magically tall cash fountain and understood vaguely that on occasion, I needed replenishment.
“We have disturbing confidences to discuss. I have finally slept with the wrong woman.” He paused here searching our faces for some sympathy or recognition. None arrived. But we didn’t laugh either.
Callaghan broke first,” He’s got the clap.”
“Quiet!” he whispered, “this is our grave intrigue; no one can ever know.”
I was immediately ahead of the puzzle,” I’ll get a doctor over this morning.”
I had a doctor in Keith’s suite within the hour. I can make anyone do anything for enough Who tickets and cash.
That afternoon I got the call that confirmed our boy had an especially hateful strain of Vietnamese gonorrhea.
I headed back up to the room to tell him and found him and his close friend Dougal hunched over a coffee table with pen and paper looking liked Hitler and Goebbels planning a North African panzer campaign.
“Should we let the girl know?” I asked Keith.
“The girl?” he sniffed as though I had demanded the definition of a two hundred letter word, “What girl?”
“There is no girl, Regis, don’t be stupid, there are zodiacs of girls. We are standing on the tip of a dangerous iceberg!
Women moved like buffalo around the free range of any rock tour. ‘Moon’s Iceberg,’ as we were later to name it, made notifying the potential girls unimaginable without also calling the National Center for Disease Control.
We settled, the three of us, on cataloging all of our crew and traveling party that Moon knew for sure had shared one of his girls. I would call them and make them come to get their shots.
This doctor now worked for me.
He made a fortune and walked away with enough tickets to start his own Ticketron.
To my great discredit, I grasped that innocents were named, caught up in the net of Moon’s finger-pointing enthusiasm, but the drummer, once he got into the melody, could not stop implicating bystanders.
Nearly the entire Who entourage was English. Britains are always the last ones to realize they are victims of a trick. They came over to the suite with a sick look on their faces and dropped their pants.
Sadly, this was one of the funniest days of my life in the business.
There was a picture taken of everyone standing or kneeling together in the suite, like a baseball team card. The little Indian doctor was sitting in the center holding a lap-full of Who tickets and a syringe. I don’t know who has that photo today. I would pay anything for it.
I am more familiar with the last Ice Age than most of you. You are more adjacent to Earth’s promised scalding flameout. We are both wedded to our alarm.
Advancing glaciers scared the shit out of me as a kid. Our schools and media certified it was only a matter of time.
These transcontinental icebergs would come gnashing relentlessly towards my home. They would overwhelm our 1956 Chevy and mashing our too slow to react dimwit of a family dog.
Glacial speed was faster than global simmering to us.
I knew where my hooded fur coat and galoshes, ( bet you haven’t heard that word for a while) were at all times, even in the heat of summertime.
Today’s children and village idiots are encouraged to fear incineration by slow global baking. But I won’t change. I’m betting on ice. We had science too.
PUBLISHED: September 20, 2018
FILED UNDER: Unnoticed in Clever Worlds
As interracial dating, integration, and cross-cultural friendships increase, many people find themselves attending events in which they are the minority, and have no frame of reference from which to base their etiquette. In an effort to help bridge the cultural gaps we all have to traverse at some point, I have created a few rules for all my Caucasian friends who might find themselves at a black cookout.
1. You gotta bring something. One time, I went to a co-worker named Tom’s barbecue and brought a pasta salad. He looked at me like I had shit in the middle of his living room.
At a black cookout (yes, if there’s more than seven black people there, the name automatically changes from “barbecue” to a “cookout”), only the meat and the grill is supplied by the host. Everything else is brought by attendees—and no, this is not “potluck.” Black people don’t do potlucks. Potluck dinners are for Caucasian bible-study meetings where one can bring store-bought dishes. Here, you either show up with a homemade dish, or they’re gonna look at you funny. And please don’t try no new shit like potato salad with raisins or vegetarian shish kabobs. If you can’t cook, or you don’t have all the required black seasonings, just bring some cups and napkins. Or LOTS of aluminum foil. I don’t know what the hell black people do with all the aluminum foil at cookouts, but they ALWAYS need more. I have long suspected that black cookouts were ploys by hosts to get free aluminum foil. In any case, you are expected to bring something.
2. It’s a cookOUT. Black people’s cookouts are outside. At the previously mentioned Tom’s barbecue, everyone mingled in his living room. I was nervous as fuck, because for the first hour, all I could think was, “These motherfuckers are about to have an intervention on me.”
You don’t go into the house unless you have to pee, which means there a few things you should bring:
1. A chair.
2. Bug spray.
3. Another chair (because someone is going to sit in your first chair when you go pee).
3. Don’t arrive on time. If they say they’re going to start around 3 p.m., that means you can arrive around 4:47. CP time is a very complicated algorithm to figure out, but the published start time at a black BBQ is the time when they start thinking about preparing to get ready to almost light the grill.
4. Learn how to do the “Wobble.” Then consult a local ballerina/choreographer to add your own variation to one of the moves. I don’t do line dances, but I’ve noticed that white people feel SO included if they know how to do them. I believe line dances should be used by the United Nations to prevent war. You can’t be THAT mad when you’re adding your spin shimmy kick to the Cupid Shuffle.
5. Make friends. Here is a FOOLPROOF method to making a new black friend at the cookout:
1. Bring a bottle of dark liquor.
2. Keep it in the trunk of your car.
3. SOMEONE (usually Tasha’s new boyfriend) is gonna ask, “Way da liquor at.”
4. Wait. (I know you’ll want to rush up to him or say something, but ignore your white-people-timing instincts just this one time, and give it a few minutes.)
5. When he changes the subject, walk over to him and say, “Walk to my car with me.” He’ll know what you mean.
6. When you pop that trunk, you’ll have a friend for life.
6. DO NOT PLAY SPADES. Even if your black friend tries to teach you how to play. They’re gonna get you FUCKED UP. No matter what you do, don’t get on the spades table talking ’bout you “learned” how to play. You do not learn how to play spades. Black people just know. Like we just know how to do the Electric Slide or get diabetes.
AND, if you mess around and renege, your partner is gonna give you the side-eye all night when they take those three books.
AND, you might get in your feelings over the shit-talking, because James is going to call you a bitch. He always does that.
AND, if your spades game is weak, no one is gonna want to be your friend. Not even Tasha’s boyfriend.
7. Park down the street. Trust me, you don’t want to have to wait for someone to move their car so you can get out. Especially after your bitch ass let James them run a Boston on you. (See? I bet that offended you, and you probably don’t know what it means. That’s why you shouldn’t play spades.)
8. Don’t worry about the drunk uncle. You know how at white people’s Thanksgiving, there’s always that ONE drunk uncle? (Yes, there is a White Thanksgiving and a Black Thanksgiving. White people’s Thanksgiving has pumpkin pie and wine. Black Thanksgiving has pound cake and Crown Royal.)
Anyway, at black cookouts, ALL our uncles are the drunk uncle. Except Uncle Jerome, who is saved, sanctified, and filled with the Holy Ghost. In fact, Uncle Jerome is starting a new ministry that confronts the evil of drugs and alcohol.
But if you take him to your trunk, he’ll have a nip.
9. For dominoes advice, please refer to rule no. 6. You know what I said about spades? The same goes for dominoes. It’s like spades with math. Most black people don’t even play dominoes as well as they think they do. And the shit-talking factor is even higher. James is going to call your mama a bitch. He always does that.
10. Listen. As the evening progresses and the alcohol flows, it becomes more dangerous to be at a black cookout. We all know that white people get drunk and fight, too, (probably more than black people), but here’s the difference:
Black people can fight.
There is, however, a very simple and effective way to know when a black cookout is getting dangerous: the music.
Music is not just entertainment at these gatherings; it is like the terror-alert warning system. The intensity of the music is inversely proportional to the danger it represents. Here are the Black Cookout Music Alert Warning indicators:
Pop/current music. If you hear the Weekend, 2 Chainz, or Fetty Wap, you’re pretty safe. That means the kids are around, and everything’s cool.
Old-school R&B. When Al Green or Parliament is playing, everything should be okay. Everyone is getting lubed up and eating, and Tasha’s boyfriend has been waiting on you by your car.
Old-school hip-hop. By now, only the guys are left. Mostly the drunk ones. They’re arguing about whether Rakim was better than Tupac, while Uncle Jerome is talking about Kool Moe Dee being the G.O.A.T. Shit is getting sketchy. You better get ready, because it’s going to jump off soon. The spades table is pumping, the dominoes are being slammed down, and then you lock eyes with one guy, and you can tell he’s thinking, “If James call my mama a bitch ONE MO TIME ….” Man, just start getting your stuff together and making your way to the car.
Gospel Music. If you hear we fall down, but we get up … run, motherfucker. Get the fuck out of there. Leave those camp chairs, and tell Tasha’s boyfriend to get the fuck away from your car with that screwdriver trying to break into your trunk.
Aren’t you glad I told you to park down the street?
It was a long-handled fireman’s ax that you used to see in old buildings next to fat canvas water hoses placed behind glass windows with warnings about breaking in case of emergencies. Back then, authentic men must have cut their way out of burning stone buildings.
Keith Moon sat with the ax between his legs and his arm over the shoulders of a coffee urn on a wounded sofa in the middle of the Who’s hospitality room — the after-show guests had pinned themselves to the walls uneasy about the flying feathers, shrimp, and desserts.
I was typically late to the scene, but in this aftermath, he looked like he was waiting for his drum kit to be set up. He was panting and sporadically spitting feathers out of his mouth.
My first thought was how expensive this was going to be. I kept the records and paid for this kind of shit. This drummer never really understood that stuff costs money. The closest he ever got to “cash and carry” was buying hookers and in this, he loved the barter more than the commodity.
I would eventually deduct his damage from him or split it among the band. He would sidle endearingly up to me and whisper like a kiss in my ear that “last night might be a good time for a division.”
Pete Townshend walked out of his dressing room and over to Keith’s sofa, ( Moon was seeping into melancholia anyway because his drums had not arrived), and asked him for the ax.
He took it and cut a surviving wall clock in half.
He handed me the ax and said,” Put me down for one clock.”
I was a roadie for one gig. I worked for a band named ” Five Dollar Shoes.” A folk singer named Melanie who later hired me owned them.
She also named them, stealing an idea from an old black song,” Mommy, won’t you please buy me a pair of one dollar shoes? She cunningly upgraded it to “five dollars.”
In the long term, this revision did not help.
I was paid to lug their equipment to a club on the beach somewhere in southern New Jersey. They were to open for “Sly and the Family Stone.” Sly was a fucking God. He was also an undependable shit-bag.
We loaded up the small U haul truck with all their stage gear and spent the day driving down from New York. The guy in charge of me knew how to plug in the electronics. In the pantheon of all human knowledge, this was all he knew that I did not.
We unloaded and set up the gear. Our band, “The Shoes” showed up ready and on time for the soundcheck. They resembled a more garishly inexpensive imitation of Queen and Freddy Mercury shoved into a dryer full of scarves.
The show was canceled without our boys even getting on stage because Sly didn’t show. We packed up the shit again and drove back to New York. I quit the next day.
I may well have been a roadie for the shortest period in Rock history. A tie was the best anyone else could ever manage.